ALILA
Director: Amos Gitai
Country: Israel
Year: 2003
Runtime: 123 minutes
Language: Hebrew with English subtitles

A post-film discussion will be moderated by Fred Linch.
 
ALILA may be an eye-opener for Americans who take large living spaces for granted.
In this film, about a dozen main characters float in and out of one another’s lives in the
cramped space of an apartment building Tel Aviv. However, to call their living quarters
an apartment building is to grossly exaggerate how limited their apartments and,
thereby, their lives really are. Arabs, Israelis, and illegal foreign immigrants (Chinese
and Filipino) vie for privacy. It’s the whole Mideast written in small. Quick sex,
recalcitrant sons, cheating husbands, a man with only his dog for company—all are
presented under the ominous threat of some act of terror. A fascinating eye-opener by
Israel’s arguably most important contemporary filmmaker. ~ Nick Salerno

Principal Cast: Yael Abecassis, Uri Klauzner, Hanna Laslo, Ronit Elkabetz, Amos Lavie,
Lupo Berkowitch, Liron Levo, Yosef Carmon, Amit Mestechkin, Lyn Shiao Zamir

Screenwriters: Amos Gitai and Marie-José Sanselme
Producers: Amos Gitai and Michael Tapuach
Director of Photography: Renato Berta
Editor: Kobi Netanel and Monica Coleman

Official Website: http://www.kino.com/alila/

ALMOST PEACEFUL - (UN MONDE PRESQUE PAISIBLE)
Director: Michel Deville
Country: France
Year: 2002
Runtime: 94 minutes
Language: French with English subtitles  

Awards: Bordeaux International Festival of Women in Cinema - Special Mention

In 1946 post-war Paris, a Jewish couple cautiously and carefully restart the family
business—
a tailor shop, in which they turn out handmade garments for Parisians who
condescend to deal
with them. Only one of the shop’s employees is not Jewish. For
the most part, Deville confines
his camera to one room, which serves as a microcosm
for the “the Jewish question” before the
creation of Israel. It’s a variation on the standard
plot of placing various personality types in an
almost claustrophobic situation (Airport,
The Poseidon Adventure) to watch how they interact.
Lots of talk, little action—it’s all
in the dynamics between the characters, especially those of a
woman who has fallen in
love with an emotionally-damaged, grieving husband living under the
shadows of his past.
ALMOST PEACEFUL never becomes maudlin nor does it sink to the level
of a tear-jerker,
but don’t be surprised if you find yourself profoundly moved. ~ Nick Salerno


Principal Cast: Simon Abkarian, Lubna Azabal, Zabou Breitman, Clotilde Courau,
Vincent Elbaz,
Denis Podalydes

Producer: Rosalinde Deville
Writers: Michel Deville, Rosalinde Deville
Cinematographer: André Diot
Editor: Andrea Sedlácková
Music: Giovanni Bottesini

Official Website: http://www.unmondepresquepaisible.com/

THE CHORUS - (LES CHORISTES)
Director: Christophe Barratier
Country: France
Year: 2004
Runtime: 95 minutes
Language: French with English subtitles

Christophe Barratier will be in attendance to introduce his film and participate in
a Q&A afterward.
   
1949, post-War France – In a dark, doom-filled school for troubled boys where hope itself is
in
short supply, a mild-mannered new teacher has just arrived, only to find himself surrounded
by
prepubescent thieves, inveterate liars, unapologetic rebels and lost souls beyond reach.
Or are
they? When Clement Mathieu (Gerard Jugnot) introduces these supposedly hard-core
delinquents
to something they’ve never experienced before – the freedom and joy of music –
he discovers
there is far more to these children than anyone dared to believe. The year’s runaway
smash hit
in France, THE CHORUS is an emotional, music-filled tale about how a very humble
man’s simple
dreams changed the future for a forgotten group of children. Shot inside a castle
in the French
countryside that lends a rich fairy-tale atmosphere, the film marks the debut of
writer, director
and composer Christophe Barratier. THE CHORUS is directed by Christophe
Barratier from a
screenplay by Barratier and Philippe Lopes-Curval. The producers are Arthur
Cohn and Jacques
Perrin. The original music is composed by Bruno Coulais and Barratier.

Principal Cast: Gerard Jugnot, François Berléand, Jacques Perrin, Jean-baptiste Maunier

Producer: Arthur Cohn, Jacques Perrin
Cinematographers: Carlo Varini, Dominique Gentil
Editor: Yves Deschamps

Official Website: http://www.leschoristes-lefilm.com/

Director: Eduardo Mignona
Country: Argentina / Spain
Year: 2003
Runtime: 105 minutes
Language: Spanish with English subtitles
   
CLEOPATRA  
Director: Eduardo Mignona
Country: Argentina / Spain
Year: 2003
Runtime: 105 minutes
Language: Spanish with English subtitles

Awards: Ft. Lauderdale International Film Festival - Best Foreign Language Film, Montréal World
Film Festival - Best Film from Latin America

A retired schoolteacher (Norma Aleandro) takes part-time jobs to support her depressed, unemployed
husband. When she meets a young actress (Natalia Oreiro) aspiring to better roles than those in
soaps, they form an immediate bond and embark on a more benign version of Thelma and Louise.
For part of the trip they are joined by a sympathetic hunk, played with smoldering sexuality by
Leonardo Sbarglia. Their adventures on the road both amuse and enlighten—them and us too. The
film’s open-ended final scene allows viewers to muse on the role of women, married and un-, in
Hispanic
America. Academy-Award nominated (The Official Story) Aleandro is wonderfully ditsy in
her role as an
older, married woman exposed to the possibilities of FemLib. The musical score is
an added pleasure.
P.S. The film’s title is misleading. ~ Nick Salerno

Principal Cast: Norma Aleandro, Natalia Oreiro, Leonardo Sbaraglia, Héctor Alterio

Producers: Pablo Bossi, Carlos L. Mentasti
Editor: Juan Carlos Macías
Music: Paco Ortega
Cinematographer: Marcelo Camorino
Screenwriters: Eduardo Mignogna, Silvina Chague

Offical Website:
http://www.uolsinectis.com.ar/patagonik/cleopatra/indexf.htm

DEAR FRANKIE - Closing Night Gala
Director: Shona Auerbach
Country: Scotland
Year: 2004
Runtime: 105 minutes
 
Awards: Los Angeles IFP/West Film Festival – Audience Award for Best International Feature,
Seattle International Film Festival - Women in Cinema Lena Sharpe Award

DEAR FRANKIE is a heartwarming and often humorous tale of nine year old Frankie and his mom,
Lizzie, who have been on the move ever since he can remember. To protect her son from the truth,
Lizzie has invented a story to satisfy Frankie's curiosity. She regularly writes Frankie a letter from
his make-believe father who works aboard a ship traveling to exotic lands. However, Lizzie soon
finds out his "father's" ship will be arriving in a few days. Now, Lizzie must choose between telling
Frankie the truth and hatching a desperate plan to find the perfect stranger to play the perfect father.
This one has OSCAR ® potential written all over it for Emily Mortimer. The only UK film selected
for competition in this years Cannes Film festival received a 15 minute standing ovation.

Principal Cast: Emily Mortimer, Gerard Butler, Jack McElhone, Sharon Small

Producers: Caroline Wood, Stephen Evans
Cinematographer: Shona Auerbach
Editor: Oral Norrie Ottey
Music: Alex Heffes

Official Website: http://www.miramax.com/dearfrankie/index.html

Plays with:

STANDING ROOM ONLY
Director: Deborra Lee-Furness
Country: UK
Year: 2003
Runtime: 10 minutes

A humorous silent film that takes a wry look at the people queuing for theatre tickets.

Principal Cast: Hugh Jackman, Joanna Lumley, Sophie Dahl, Michael Gambon, Mary-Elizabeth
Mastrantonio, Alan Rickman

DELUXE COMBO PLATTER
Director: Vic Sarin
Country: Canada
Year: 2004
Runtime: 103 minutes

When a small-town waitress decides to take a chance at the town's most eligible bachelor, her
plans are thrown off course when an attractive, successful big-city corporate executive blows into
town taking the male population by storm.

Principal Cast: Jennifer Tilly, Marla Sokoloff, Dave Thomas, Monika Schnarre, Barry Watson,
Jonathan Cherry

Producer: Tina Pehme

FALLING ANGELS
Director: Scott Smith
Country: Canada
Year: 2003
Runtime: 109 minutes

Awards: Genie Awards - Best Achievement in Art Direction/Production Design/Best Achievement
in Music - Original Song, Nanaimo inFEST Film Festival - Silvie Award

A delicate balancing act of humor and tragedy, FALLING ANGELS is a richly woven character-study
of family dynamic and missed opportunity. Treading the fine line between adolescence and adulthood,
the Field sisters have all but declared war on their domineering father. Though Jim Field runs the
family house like a military camp, it’s the three teenaged daughters who really run the show and
baby sit their fragile mother Mary, as she quietly sits on the couch and quells her anxiety with
whiskey. It’s 1969 and beneath suburbia’s veneer of manicured lawns and rows of bungalows, the
world faces explosive social change. The girls’ quest for independence is compounded by their love
for their fragile bird of a mother and their simmering mistrust of their father, while all are oblivious to
the real effect of the family secret and to the signs of Mary’s deterioration. Still, the Field sisters
manage their experiments in living outside the home with some surprising results.

Principal Cast: Miranda Richardson, Callum Keith Rennie, Katherine Isabelle

Executive Producers: Kevin DeWalt, Alain de la Mata, Dean English, Geoff Cox
Editor: Reginald Harkema
Cinematographer: Gregory Middleton
Music: Ken Whiteley

FIRST BLOOD
Director: Ted Kotcheff
Country: USA
Year: 1982
Runtime: 97 minutes

Ted Kotcheff will be in attendance to introduce his film and participate in a Q&A afterward.
   
FIRST BLOOD is the Sylvester Stallone film that unleashed "Rambo" onto an unsuspecting world.
Wandering into a small, hostile town, ex-Green Beret John Rambo (Stallone) is targeted for persecution
and abuse by potbellied Sheriff Will Teasle (Brian Dennehy). When he can stand no more, Rambo goes
bonkers, killing a deputy and heading into the surrounding hills, armed to the teeth. Only after Rambo
has picked off practically every law enforcement officer within a radius of 50 miles do the local authorities
bring in his former commanding officer Trautman (Richard Crenna) for advice. Trautman's response, that
the locals had better get a lot of body bags ready, is hardly encouraging. FIRST BLOOD proved to be
one of Stallone's biggest non-Rocky hits. ~ Synopsis by Hal Erickson, All Movie Guide

Principal Cast: Sylvester Stallone, Richard Crenna, Brian Dennehy, Bill McKinney, Jack Starrett,
Michael Talbott

Producer: Buzz Feitshans
Cinematographer: Andrew Laszlo
Editor: Joan E. Chapman
Music: Jerry Goldsmith

FLOWER & GARNET
Director: Keith Behrman
Country: Canada
Year: 2002
Runtime: 103 minutes

Awards: Boston Independent Film Festival - Grand Jury Prize, Genie Awards - Claude Jutra Award,
Leo Awards - Best Musical Score/Best Supporting Performance – Male, Vancouver Film Critics
Circle - Best Actor - Canadian Film/Best Director - Canadian Film/Best Film – Canadian,
Vancouver International Film Festival - Best New Western Canadian Director

Set in rural British Columbia, FLOWER & GARNET is a subtle and deeply moving portrait of a
family living in an emotional no-man's land. With his mother passed away, his teenage sister
pursuing her own interests, and a strictly macho father, young Garnet becomes a sullen,
withdrawn child that no one seems to understand. Featuring outstanding performances by
Callum Keith Rennie (MEMENTO) and young newcomer Colin Roberts.
~ Synopsis by the Independent Film Society of Boston

Principal Cast: Callum Keith Rennie, Colin Roberts, Jane McGregor, Dov Tiefenbach,
Kristen Marguerite Pigott, Bryan Gliserman, Trish Dolman, Dean English, Jessica Fraser

Producer: Trish Dolman
Screenplay: Keith Behrman
Cinematographer: Steve Cosens
Editor: Michael John Bateman
Music: Peter Allen

LAURENCE GARTEL: THE DIGITAL JOURNEY
Runtime: 90 Minutes  

Laurence Gartel will discuss the key elements towards making a successful film as well
as give an overview of his 30 year career in the digital arts. He will showcase same tracks
of his new DVD and discuss techniques.There will be a question and answer period relating
to the necessary elements in the creation of narrative, digital motion works.

Born and raised in New York City, Mr. Gartel not only had the opportunity to teach Andy Warhol
how to use the Amiga Computer, but also went to the School of Visual Arts with fellow student,
graffiti artist Keith Haring. Mr. Gartel earned his BFA in Graphics, and started his electronic arts
career working side by side with Nam June Paik at Media Study/Buffalo in upstate New York.
Over the years, Gartel has worked with musicians such as Debbie Harry (Blondie), Sid Vicious
(Sex Pistols), Stiv Bators (Dead Boys), Johnny Thunders (New York Dolls), Ace Frehley (Kiss),
and Wendy O Williams (Plasmatics). Recently, he has created artwork for the likes of Justin
Timberlake and Britney Spears. His best-known work is his ABSOLUT GARTEL ad for the
vodka company.

GOD IS BRAZILIAN - DEUS É BRASILEIRO
Director: Carlos Diegues
Country: Brazil
Year: 2003
Runtime: 110 minutes
Language: Portuguese with English subtitles
   
How would you like to take a road trip with God? Well, in GOD IS BRAZILIAN that’s exactly
what happens. God (Antonio Fagundes) is so exhausted from dealing with humanity’s problems
that he decides to take a vacation. Needing to find someone to mind the store while he is
recovering, God descends to Earth to find a likely candidate for sainthood, someone who can
spell him. Toaca, a con artist, seeing a potentially advantageous situation, offers to help God
in the search—in which they are assisted by the beautiful Mada. The film is alternately touching,
romantic, thoughtful, and always loopy. If you’re not offended by the film’s premise, you will be
entertained. ~ Nick Salerno

Principal Cast: Antonio Fagundes, Wagner Moura, Paloma Duarte, Hugo Carvana

Producers: Renata de Almeida Magalhães
Music: Chico Snows, Hermano Viana and Sergio Mekler
Cinematographer: Devout Affonso
Editor: Sergio Mekler

GRAND ECOLE
Director: Robert Salis
Country: France
Year: 2004
Runtime: 110 minutes
Language: French with English subtitles

GRAND ECOLE is a stunning evocation of contemporary life among rich young people in an
exclusive French school. While Paul (Gregori Baquet) is ostensibly the film’s focus, the
narrative is actually constructed around a group of characters all equally important and all of
them beautiful. It’s a sort of a French version of Friends, but with fewer laughs, more talk,
and much more sex. The sex is hetero-, homo-, and bi-. Paul loves Louis-Arnault and Agnes
and Meclir (a younger Arab boy). GRAND ECOLE is complex and extremely erotic, a French
take on sexual and religious politics and on class distinctions. It would probably be rated R
for strong sexual situations and nudity. ~ Nick Salerno

Principal Cast: Grégori Baquet, Jocelyn Quivrin, Alice Taglioni, Elodie Navarre, Arthur Jugnot

GUERREROS
Director: Daniel Calparsoro
Country: Spain
Year: 2002
Runtime: 95 minutes
Language: Spanish, Albanian, French and Serbo-Croatian with English subtitles  

Kosovo, winter 2000. One year after the NATO bombing of Yugoslavia. The Southern Serbian
province has become military protectorate in the hearth of Europe. This is a story of a platoon
of Spanish military engineers, part of the peace forces in Kosovo. Vidal is just one of the young
soldiers recently recruited into professional army. He goes on a mission full of optimism and
ideals. Vidal and his friends are convinced that neutrality will protect them from conflicts.
But when they are sent on a mission to reconstruct a small country generating station, they will
realize the brutal reality: not only that local citizens don’t favor them but they openly show hostility.
~ Synopsis by the Palic Film Festival

Principal Cast: Eloy Azorín, Eduardo Noriega, Rubén Ochandiano, Carla Perez, Jordi Vilches,
Roger Casamajor

Producers: Fernando Bovaira, Enrique López Lavigne
Cinematographer: Josep M. Civit
Editor: Julia Juaniz

GUERRILLA- THE TAKING OF PATTY HEARST
aka NEVERLAND: THE RISE AND FALL OF THE SYMBIONESE LIBERATION ARMY
Director: Robert Stone
Country: USA
Year: 2004
Runtime: 90 minutes

A post-film discussion will be moderated by Francie Noyes.
 
Awards: Florida Film Festival - Best Documentary Feature

For those of us old enough to remember the 60’s and 70’s, Guerrilla will be a painful trip
down memory lane. For the younger crowd, it will provide shocking insights into terrorism
on our home turf and the federal government’s spy machine. Patty Hearst was born with
a silver spoon in her mouth. Because she was part of a dynasty of publishing magnates,
her capture/kidnapping by the SLA began as a sort of lark aimed at making a point about
poverty in the US. But it turned into guerrilla theatre when Patty joined forces with her
captors to participate in a rampage of bank robberies and killing. Was she brainwashed
or willingly acting out of misguided good intentions? Hearst was eventually “saved,” but her
story did not officially end until the administrations of President Carter and Clinton. If you
find yourself reflecting of current events in this Presidential election year, it will not be purely
coincidental. ~ Nick Salerno

Principal Cast: Michael Bortin, Timothy Findley, Russell Little

Producer: Nick Fraser
Cinematographers: Howard Shack, Robert Stone
Editor: Don Kleszy

Official Website: http://www.guerrillathemovie.com/

KWIK STOP
Director: Michael Gilio
Country: USA
Year: 2002
Runtime: 110 minutes

Michael Gilio will be in attendance to introduce his film and participate
in a Q&A afterward.

       
Awards: Buenos Aires International Festival of Independent Cinema - Best Director,
St. Louis International Film Festival - Special Jury Prize

Like a screwball hybrid of Jack Kerouac and Luis Buñuel, Michael Gilio's KWIK STOP is a
road picture where the characters never quite manage to hit the road. Before leaving town
on the trip of a lifetime, Mike pulls over at a convenience store for one last stop. Big mistake.
In the parking lot, he is confronted by a charismatic local teenager named Didi, who threatens
to bust him for shoplifting if he doesn't agree to take her along. From this point on, the film
takes more twists and turns -- and delivers more pure enjoyment -- than you might expect.
As the writer, director, and star, Gilio immediately establishes himself as an exciting
new talent on the indie film scene. "Blindsides us with unexpected humor and sadness,
and is one of theunsung treasures of recent independent filmmaking." Roger Ebert, the
Chicago Sun Times ~ Synopsis by the Los Angeles Film Festival

Principal Cast: Michael Gilio, Lara Phillips, Rich Komenich, Karin Anglin, Kris Wolff,
Eric Curtis Johnson, Sunny Seigel

Producers: Fern Baker, Scott Casty
Cinematographer: David Blood
Editor: Chris McKay

LEAGUE OF ORDINARY GENTLEMEN 
Director: Christopher Browne
Country: USA
Year: 2004
Runtime: 93 minutes
Language: English

Awards: SXSW Film Festival - Audience Award

Since I have little patience with professional sports in which adults pursue balls—foot, basket,
base, or other—I approached this film with skepticism verging on scorn.  A documentary about
professional bowling?  It didn’t sound promising.  Surprise, surprise.  A LEAGUE OF ORDINARY
GENTLEMEN is entertaining and informative.  The film first traces the rise and gradual decline
of interest in professional bowling in the United States.  When three Microsoft employees buy
the whole PBA—balls, pins, bags and all—and hire a successful Nike marketing expert to turn
what looks like a  bad investment into a gold-plated business success, the result is an
only-in-America story—not the least interesting part of which is the uneasy marriage of bowling
and television.  By turns funny and shocking, A LEAGUE OF ORDINARY GENTLEMEN is for
sports fans of all ages. ~ Nick Salerno

Principal Cast: Pete Weber, Wayne Webb, Walter Ray Williams, Jr., Chris Barnes, Steve Miller

Producers: Wilhelmus Bryan, Alexander Browne
Cinematographer: Ken Seng
Editors: Kurt Engfehr, Dave Tung

MOVIE MYSTERE 

What we don't know:
Did our Toronto International Film Festival pals persuade anyone famous to bring their new film
to the Scottsdale International Film Festival? You know as much as we do, and we will find out
together once the Festival has started!

What we do know:
The surprise might be a famous director showing up with his latest film, or there might be a
special encore presentation of the audience favorite from this year's event. Be sure to vote for your
favorite film using the new addition of Audience Award ballots given to you before each screening.

When will we know?
We will make an announcement during the Festival as soon as the surprise has been revealed.
Honest!

Find out what the surprise film is via the Website:
Go to the website at www.ScottsdaleFilmFestival.com and click on the "Updates" button during
the Festival.

NOI - (NOI ALBINOI)
Director: Dagur Kari
Country: Iceland
Year: 2004
Runtime: 93 minutes
Language: Icelandic with English subtitles

Awards: Angers European First Film Festival - Ciné Cinémas/Best Soundtrack /European Jury
Award Feature Film/GNCR Award/Laser Vidéo Titres Award, Denver International Film Festival
- Best European Film, Edda Awards - Best Actor/Best Director/Best Screenplay/Best Supporting
Actor/Film of the Year/Professional Category: Sound/Vision, Edinburgh International Film Festival
- New Director's Award, Göteborg Film Festival - FIPRESCI Prize, Nordic Film Prize, Rotterdam
International Film -MovieZone Award, Rouen Nordic Film Festival
- Grand Jury Prize

If you’re a genius living in a small, ice-bound Icelandic village, what do you do to pass the time?
Certainly not go to school—when a tape recorder can substitute for you. Of course, there’s Iris,
the waitress in a gas station’s café. You could rob a bank? Or try to cope with Mother Nature’s
waywardness? Noi’s choices are limited. Expect a sometime comedy, a sometime near- tragedy.
And lots of ice. Wear your snow goggles. ~ Nick Salerno

Principal Cast: Tómas Lemarquis, Elin Hansdottir, Anna Fridriksdóttir, Throstur Leo Gunnarrsson,
Hjalti Rognvaldsson, Pétur Einarsson

Cinematographer: Rasmus Videbaek
Editor: Daniel Dencik
Music by: Slowblow

Official Website: http://www.noi-themovie.com/

POSTMEN IN THE MOUNTAIN - (NASHAN NAREN NAGOU)
Director: Huo Jianqi
Country: China
Year: 1999
Runtime: 93 minutes
Language: In Mandarin with English subtitles

Awards: Montréal World Film Festival – Audience Award Best Film, Golden Rooster Awards -
Best Actor/Best Film, Mainichi Film Concours - Best Foreign Language Film, Indian International
Film Festival - Jury's Special Award, Maine International Film Festival - Audience's Award Best Film

Every so often you come across a film which makes you wonder about the movie business. How is
it that so fine a film as this fails to achieve national distribution in the United States? Beats me, for
this film is truly, truly wonderful. It’s small masterpiece, elegant in its simplicity. POSTMEN IN THE
MOUNTAIN concerns a father who, now aging, must perforce turn over his mail route to his son.
The father, accompanied by the loyal family dog, has walked his route for decades, a route up and
down the mountainous terrain of Hunan province. The photography does full justice to the ravishingly
beautiful terrain. Father and dog accompany the son on his first, literal, walk-through. In the process
the son learns how important human contact is and that a man’s soul and his work are inseparable.
Equally important, father and son are finally able to express their love for another. I thought my heart
would break. I’ll have to add this one to my video library. ~ Nick Salerno.

Principal Cast: Teng Rujun, Liu Ye
Cinematographer: Zhao Lei
Art Director: Song Jun
Sound: Guan Jian
Music: Wang Xiaofeng

Official Website: http://www.prcmovie.com/postmen/

RED ROSES & PETROL - Opening Night Gala
Director: Tamar Simon Hoffs
Country: USA
Year: 2003
Runtime: 97 minutes

The Cast and Director will be in attendance to introduce the film and participate in
a Q&A afterward.

   
The seemingly incongruous title is a fitting one for writer/director Tamar Simon Hoff's elegy about an
Irish family's scars, secrets and shared experiences contrarily recalled. Malcolm McDowell delivers
a typically stellar, powerfully understated, performance. The death of patriarch Enda Doyle, a respected
college librarian and poet, reunites a combustible Irish family. While waiting for their guests at the wake,
the family matriarch Moya, brooding eldest daughter Catherine, stuck in the middle Medbh and
angry-at-the-world Johnny - watch Enda's videotaped memoirs, an experience that both opens new
wounds and helps to heal old ones. Well written and acted, alternately lyrical and profane, this is
a touching, funny and ultimately cathartic film, simply yet beautifully crafted, about the inextricable
bond of family. ~ Synopsis by the AFI Los Angeles International Film Festival

Principal Cast: Malcolm McDowell, Olivia Tracey, Heather Juergensen, Max Beesley, Greg Ellis,
Susan Lynch, Catherine Farrell, Sean Lawlor, Robert Easton, Aubrey Morris

Producers: Tamar Simon Hoffs, Gail Wager Stayden, Georganne Aldrich Heller, Alfred Sapse
Editor: Dathai Keene
Cinematographer: Nancy Schreiber

Official Website: http://www.redrosesandpetrol.com/

REMEMBER ME. MY LOVE - (RICORDATI DI ME)
Director: Gabriele Muccino
Country: Italy
Year: 2003
Runtime: 124 minutes
Language: Italian with English subtitles

A post-film discussion will be moderated by Nick Salerno.

Awards: Italian National Syndicate of Film Journalists - Best Producer/Best Screenplay/
Best Supporting Actress

The myth and the reality of the Italian family are often wildly different.  The traditional sociologist
will tell you that everything still revolves around the concept of all-for-one-and-one-for all, but the
reality of contemporary Italian life is something else.  Husbands threatened  by working wives
who are intelligent and with emotional lives of their own.  The new woman who is made to feel
guilty if she doesn’t devote her every thought to her husband and children.  Children who are
into drugs or looking for more glamorous, financially rewarding careers. They’re all here in
Remember Me, My Love.  Fabrizio Bentivoglio and Laura Morante make an attractive couple,
but each is frustrated and dissatisfied by the traditional roles they are supposed to fill.  Enter
Bentivoglio’s high school sweetheart, played by luscious Monica Bellucci (Mary Magdalene in
Mel Gibson’s The Passion) and the fabric of the Italian family begins to unravel.  This is the
kind of film about which critics used to say, “You’ll laugh, you’ll cry, and you’ll never forget….
”  Well, it’s true. You’ll remember REMEMBER ME, MY LOVE. ~ Nick Salerno
 
Principal Cast: Monica Bellucci, Fabrizio Bentivoglio, Laura Morante, Nicoletta Romanoff,
Silvio Muccino

Producer: Domenico Procacci
Cinematographer: Marcello Montarsi
Editor: Claudio Di Mauro

THE REPUBLIC OF LOVE
Director: Deepa Mehta
Country: Canada
Year: 2003
Runtime: 95 minutes

THE REPUBLIC OF LOVE is a warm-hearted story of love and enchantment set in the coldest
of winters, featuring the lucky and unlucky in love in the 21st century. Tom and Fay live in the
same apartment block, going about their parallel lives but never meeting. Tom is a charismatic
late- night radio talk show host, whose unconventional upbringing has made him a little too
quick to fall in love and marry, resulting in three divorces before the age of 40. Fay is his total
opposite; her romantic ideal never attained (and unlikely to be ever met) due to her impossibly
high expectations as a result of living with idealized parents who embody the epitome of a rock
solid marriage. One day, through mutual acquaintances, Tom and Fay meet and, miracle of
miracles, fall deeply in love at first sight. He is "the one"; she is "the one"! Everything goes
swimmingly until suddenly, Fay's parent's "perfect" marriage breaks down, abruptly, out of
nowhere, after 40 years of wedded bliss. Her whole idea of relationships thrown topsy-turvy,
Fay quickly calls everything off with Tom. Devasted, Tom picks himself up and goes to work
on a heroic campaign - to persuade miserable but steadfast Fay to re-discover and re-invent
their romantic relationship. THE REPUBLIC OF LOVE, an official selection of the 2003 Toronto
International Film Fesitval, wins both laughter and sighs, as it explores life and love in a
modern age where geography is destiny and each of us is our own republic.

Principal Cast: Bruce Greenwood, Emilia Fox, Edward Fox, Connor Price, Martha Henry,
Claire Bloom, Gary Farmer, Rebecca Jenkins

Producers: Julie Baines, Anna Stratton
Cinematographer: Douglas Koch
Editor: Barry Farrell

SINCE OTAR LEFT
Director: Julie Bertuccelli
Country: Belgium/France
Year: 2003
Runtime: 102 minutes
Language: Georgian, Russian and French with English subtitles

A post-film discussion will be moderated by Fred Linch.
   
Awards: Cannes Best First Film, César Award Best First Film, Deauville Film Festival -
Best French Script, French Syndicate of Cinema Critics - Critics Award, Viennale - FIPRESCI Prize,
Warsaw International Film Festival - Special Mention

Three women in Georgia (formerly one of the USSR’s republics) all suffer –in varying degrees—
the loss of their son, brother, and uncle. Seeking a better life, Otar went to Paris, leaving his
family behind. Mama Eka lives for the arrival of Otar’s letters. Her daughter Marina thinks less
kindly of him, since caring for the family is now her sole responsibility. Granddaughter Ada
watches and plots her own escape. When Otar is killed, Marina and Ada decide to conceal
the truth from Eka. But things get unexpectedly complicated when Eka sells some of the family’s
treasures to buy three train tickets to Paris. Secrets beget secrets beget secrets. The film is
slow to get going, but ultimately captures the audience’s hearts and minds. The ending is stunning
and extremely satisfying. The acting is brilliant, especially that of Esther Gorinton (90 years old!)
as Eka. SINCE OTAR LEFT deserves wider circulation. ~ Nick Salerno

Principal Cast: Esther Gorintin, Nino Khomassouridze, Dinara Droukarova, Temour Kalandadze,
Roussoudan Bolkvadze, Sacha Sarichvili, Douta Skhirtladze

Producer: Yaël Fogiel
Cinematographer: Christophe Pollock
Editor: Emmanuelle Castro

Official Website: http://www.zeitgeistfilms.com/sinceotarleft/

SONS OF PROVO
Director: Will Swenson
Country: USA
Year: 2003
Runtime: 93 minutes

The Cast will be in attendance to introduce the film and participate in a Q&A afterward.
   
Awards: Spud Fest Film Festival - Best Film

Think This Is Spinal Tap and The Commitments and you’ll be ready for SONS OF PROVO. 
This time it’s a send-up of Mormon pop music—if there is such a thing as Mormon pop music. 
Real-life brothers Will and Danny Jensen star as two members of  Everclean, a  Mormon boy band. 
Their search for a third member takes them to a handicrafts shop where they—Golly Gee!—find a
scrapbook expert who fills the bill perfectly. So what kind of music will an aerobics teacher, a New Age
philosopher, and a scrapbooker make?  Heavenly music, of course. Thrill to the ups and downs of
the boys as they climb the stairway to stardom. Will their rendition of “Dang, Fetch, Oh My Heck”
knock Eminem off the charts? Seeing—and hear—in the believing. Who  knows—you may even
want to buy the soundtrack.  Be that as it may, you’re in for a rollicking good time.
~ Nick Salerno.

Principal Cast: Will Swenson, Kirby Heyborne, Danny Tarasevich, Peter Brown, Jennifer Erekson,
Maureen Eastwood, Sally Hale

Producer: Peter Brown
Cinematographers: John Lyde, Stephen Rose
Editor: John Lyde, Stephen Rose

Official Website: http://www.SonsOfProvo.com

SOUTH FROM GRANADA - (AL SUR DE GRANADA)
Director: Fernando Colomo
Country: Spain
Year: 2003
Runtime: 111 minutes
Language: Spanish with English subtitles

Awards: Goya Awards - Best Original Score

A member of the Bloomsbury set, Gerald Brenan retreated to a remote area in Andalucia during
the 1920s in the hope of finding his literary muse. In the film, Brenan stumbles into a mountain village,
where he buys a house and quickly becomes an integral part of the local society. He befriends Paco,
who advises him to pursue Juliana, his beautiful young housekeeper. Juliana teaches Brenan a few
things about sensuality that his Victorian upbringing didn’t cover. But when his literary friends arrive
on a visit from London, they don’t find Brenan’s rustic lifestyle so romantic and reveal themselves as
uptight and arrogant compared with the passionate locals. Colombo’s film doesn’t question such
stereotyping, but it’s very good on the petty intrigues and affairs of village life. It also looks absolutely
gorgeous, with ace cinematographer José Luis Alcaine making very creative use of the extremes of
light and shade which characterize the region. ~ Synopsis by ¡Viva! Spanish Film Festival

Principal Cast: Matthew Goode, Verónica Sánchez, Guillermo Toled, Consuelo Trujillo, Ángela Molina,
Antonio Resines

Producers: Fernando Bovaira, Gustavo Ferrada, Beatriz de la Gándara
Cinematographer: José Luis Alcaine
Editor: Antonio Lara

Official Website:
http://www.plus.es/codigo/cine/especiales/default.asp?id=203245

SQUINT YOUR EYES - (ZMRUZ OCZY)
Director: Andrzej Jakimowski
Country: Poland
Year: 2003
Runtime: 88 minutes
Language: Polish with English subtitles

Awards: San Francisco International Film Festival – Skyy Prize, Camerimage - Special Award,
International Filmfest Mannheim-Heidelberg – FIPRESCI Prize, Polish Film Awards – Eagle, Polish
Film Festival – Best Cinematographer/Best Costume Design/Best Debut Director/Best Production
Design, Special Jury Prize

Once again Poland sends us an offbeat provocative film with comic elements. Jasiak, a retired school
teacher, decides to act as custodian of a deserted farm in the Polish countryside.  Forget the fact
that the owners of the farm don’t need a custodian but  don’t know how to evict their squatter. When
his solitude is broken by a former students--a young girl who’s had it with her materialistic parents,
Jasiak’s life becomes complicated.  The young girl is soon joined by some con artists, some cyclists,
at least one self-proclaimed poet, the girl’s parents, the farm’s owners, and ultimately the police.
 If life in the countryside is this unpredictable, what must life be like in Warsaw?  You might call
SQUINT YOUR EYES  a provocative, philosophical comedy.~ Nick Salerno

Principal Cast: Zbigniew Zamachowski, Ola Prószynska, Malgorzata Foremniak, Andrzej Chyra,
Andrzej Mastalerz

Producer: Arkadiusz Artemjew, Tomasz Gassowski, Andrzej Jakimowski
Editor: Cezary Grzesiuk
Music: Tomasz Gassowski
Cinematographers: Adam Bajerski, Pawel Smietank

TASUMA - THE FIGHTER
Director: Daniel Kollo Sanou
Country: Burkina Faso
Year: 2003
Runtime: 90 minutes
Language: Dioula and French with English subtitles

TASUMA is an absolute winner, an utterly charming rumination on French colonialism; and
the role of elders, women, and children in small African communities. Sogo Sanon has been
trying to claim his military pension for decades; his plight reminds us the French military
filled its ranks with Blacks from numerous French colonies in African. Finally assured that
his pension will arrive ”tomorrow,” Sogo Sanon buys a mill to lighten the burden of the village
women who must grind their grain, by hand, on a daily basis. Of course, the pension does not
arrive. In what seems like a turn towards the violent, Sogo Sanon takes a hostage and forces
him to write a letter to the long-dead General Charles de Gaulle. Never fear. All is resolved when
the women and children mount a crusade in support of the village elder. The songs are wonderful
and make a major contribution to the feel-good tone of a film you may want to see more than once.
~ Nick Salerno

Principal Cast: Mamadou Zerbo, Bésani Raoul Khalil, Aï Keita, Noufou Papa Ouedraogo

Music: Cheick Tidiane Seck
Photography: Nara Keo Kosal

TRAVELLERS & MAGICIANS
Director: Khyentse Norbu
Country: Bhutan
Year: 2003
Runtime: 108 minutes
Language: Dzongkha with English subtitles

A post-film discussion will be moderated by Francie Noyes
   
A motley crew of travelers join forces in search of a better life or merely some fun at a religious
festival many kilometers down the road. In the process, they learn to care for and about one another.
The group includes a monk, a beautiful young woman, and an army deserter. Not much happens—
no car crashes or special effects; but a shaggy-dog story told within the film’s framework sheds a
bright light on the actions of the traveling companions. The scenery in Bhutan is so lusciously ripe
it makes you wonder why anyone would want to leave it. No belly laughs here, but some genuinely
satisfying smiles. I could happily watch it again. ~ Nick Salerno

Principal Cast: Tsewang Dandup, Sonam Lhamo, Lhakpa Dorji, Deki Yangzom, Sonam Kinga

Producer: Jeremy Thomas
Cinematographer: Alan Kozlowski
Editor: John Scott, Lisa-Anne Morris

Official Website: http://www.travellersandmagicians.com/

THE TWILIGHT SAMURAI
Director: Yoji Yamada
Country: Japan
Year: 2002
Runtime: 129 minutes
Language: Japanese with English subtitles
   
Awards: Japan Film Academy Awards- Best Picture/Best Director/Best Screenplay/ Best Actor/
Best Actress, Far East Film Festival - Audience Award, Hawaii International Film Festival - Best
Feature, Hong Kong Film Awards- Best Asian Film, Hochi Film Awards - Best Actress/Best Film,
Kinema Junpo Awards - Best Actor/Best Actress/Best Director/Best Film/Best New Actor/Best
Screenplay/Best Film, Mainichi Film Concours - Best Actor/Best Cinematography/Best Film/
Best Supporting Actress

This Oscar-nominated, poignant story of Iguchi is set in the waning days of the Japanese feudal
system. Winner of 12 Japanese Academy Awards and directed by one of Japan’s best known
and most prolific directors Yoji Yamada (The Tora-san series), TWILIGHT SAMURAI is the story
of Seibei, a lower caste samurai played by Hiroyuki Sanada (RING). He is a widower and must
care for his two daughters, his ailing mother, the house, the garden, even the crickets. He works
all day as a clerk in the clan office but at dusk he must go straight home instead of going to the
local pub for a drink – earning him the rather demeaning nickname ‘twilight samurai’. Despite his
hard work, he remains hopelessly poor. Then Tomoe, Seibei’s best friend’s sister, re-enters his
life after many years away. Seibei must fight her jealous and violent ex-husband to keep him away
and to claim Tomoe’s heart. Taking notice of his swordsmanship, the superiors of his clan order
him to assassinate a certain samurai. Watch fot the fantastic duel scene – with no CGI or hidden
wires – and a love story with a tragic twist. Although this film is set at the end of the Edo period
(1600-1867), it presents Japan in a contemporary way, complete with recession, corporate
restructuring, political shifts and men who cannot say what they feel.
~ Synopsis by the Cambridge Film Festival

Principal Cast: Hiroyuki Sanada, Rie Miyazawa,Nenji Kobayashi, Ren Osugi, Mitsuru Fukikoshi

Producers: Hiroshi Fukasawa, Shigehiro Nakagawa, Ichiro Yamamoto
Cinematographer: Mutsuo Naganuma
Editor: Iwao Ishii
Music: Isao Tomita

UNKNOWN SOLDIER
Director: Ferenc Toth
Country: USA
Year: 2004
Runtime: 78 minutes
   
Awards: Los Angeles IFP/West Film Festival - Best Dramatic Feature,
Philadelphia Film Festival - Best Feature Film

It takes uncommon valor to survive life on the streets of Harlem AND keep your personal integrity
intact. After the death of his father, Ellison or L finds it impossible to get by, even with the help
of his friends. Rejected because of his asthma by the military, unable to rent an apartment of
his own, and reduced to living in a shelter—L accepts an offer to be gangsta Zee’s “personal
assistant.”  L now faces a genuine dilemma: which values can serve him best—his father’s or
Zee’s?  First-time director Toth makes a stunning debut with this unflinching and only slightly
sentimental look at the Other America.  And Carl Louis, a student at Fordham,  also makes a
stunning starring debut.  In the plethora of films with similar plotlines,UNKNOWN SOLDIER
stands out as genuinely original, provocative, and moving. ~ Nick Salerno.
 
Principal Cast: Carl Louis, Randy Clark, Postell Pringle, Layla Edwards

Producer: Sean Bachrodt
Cinematographers: Steve Carillo, Louis Armada
Editor: Frank Reynolds, Sam Neave
Music: Peter Calandra

Official Website: http://www.unknownsoldierfilm.com

WAKE IN FRIGHT
Director: Ted Kotcheff
Country: Australia
Year: 1971
Runtime: 109 minutes

Ted Kotcheff will be in attendance to introduce his film and participate
in a Q&A afterward.

   
Detailing the life of a city school teacher stuck in an Australian outback town, this movie shows
in great detail the ugly side of Australian country life that the Australian tourist authorities attempt
to hide. Excellent performances by all the actors, including Donald Pleasance, Jack Thompson,
John Mellion and the legendary Australian character actor Chips Rafferty (in his final film) help give
the film a very gritty "real" texture.

Principal Cast: Donald Pleasence, Gary Bond

Producers: Howard G. Barnes, Bill Harmon, Maurice Singer, George Willoughby
Cinematographer: Brian West
Editor: Anthony Buckley

Directors Bio: Ted Kotcheff was born in Toronto, Canada. After graduating in English Literature at
the University of Toronto, he began his professional career directing TV drama at age 24 at the
Canadian Broadcasting Corporation. He was the youngest director in the CBC. His film career
started in England: TIARA TIHITI, a social comedy starring James Mason and John Mills;
LIFE AT THE TOP, starring Laurence Harvey and Jean Simmons; TWO GENTLEMEN SHARING,
starring Robin Phillips, a film set in the West Indian community of London and dealing with
relationships between black and white. His next film OUTBACK was made in Australia. It was
the Australian entry in the Cannes Film Festival and many Australians still think it is the finest
Australian film ever made and the beginning of the renaissance of the Australian cinema. Ted Kotcheff
then returned to Canada in 1972 to make a film of a novel written by his best friend, Mordecai
Richler, THE APPRENTICESHIP OF DUDDY KRAVITZ. This film, thought to be one of the best
Canadian films ever made, won the Golden Bear First Prize at the Berlin Film Festival and
numerous other awards including an Academy Award nomination for best script. Ted has also
directed FUN WITH DICK AND JANE, starring Jane Fonda and George Segal; SOMEONE IS KILLING
THE GREAT CHEFS OF EUROPE, starring Jacqueline Bisset and George Segal; NORTH DALLAS
FORTY which he also wrote and starring Nick Nolte; FIRST BLOOD, starring Sylvester Stallone
(one of the biggest box office winners of all time); UNCOMMON VALOR, starring Gene Hackman;
and WEEKEND AT BERNIE'S. In the mid-1980's, Ted Kotcheff made a film of another
Mordecai Richler novel, JOSHUA THEN AND NOW.

YOU I LOVE - (JA LYUBLU TEBYA)
Directors: Olga Stolpovskaya and Dimitrij Troitskij
Country: Russia
Year: 2003
Runtime: 85 minutes
Language: Russian with English subtitles
 
Awards: New Fest: New York GLBT Film Festival - Best Foreign Narrative Feature Award

How’s this for the plot of a romantic comedy set in contemporary Moscow: when a well-known,
drop-dead gorgeous television anchorwoman discovers, much to her chagrin, that she can’t pay
her tab in a restaurant, a well-heeleded, drop-dead gorgeous design artist comes to her aid.
Soon they are sleeping and eating and eating and eating together. (Think of the eating scene
in Tom Jones.) Then our hero meets a poor, drop-dead gorgeous boy who feeds the animals at
the Moscow zoo and, in an act of kindness, brings him back to the apartment. So you think you
know what happens next? Boy meets boy, boy beds boy, girl returns to find them making the
beast with two backs. Yes, that does happen. But that’s only the beginning. Who ends up with
whom? The film becomes increasingly complex and ever more and more comic. The scenes
with the boy’s family are hysterically funny. I guess sexual hi-jinks are not confined to Miami
Beach and San Francisco. Charming, sexy, funny. Definitely a feel-good movie.
Try it. You’ll like it. ~ Nick Salerno

Principal Cast: Lyubov Tolkalina, Damir Badmajew, Jewgenij Korijakowskij, Alisa Tanskaya

Producer: Dmitry Troitsky
Screenwriter: Olga Stolpovskaya

STUDENT COMPETITION  

AMERICAN STANDARD
Director: Amadeus David Tao
Runtime: 6:08 minutes
New York Film Academy, New York
The two United States political mindsets are personified in a couple out-to-dinner.

BETWEEN THE BOYS
Director: Jake Yuzna
Runtime: 4:00 minutes
Minneapolis College of Arts & Design, Minnesota
Exploring a relationship between two young men which falls into a gray area.

EL TRÁFICO
Director: Marco Santiago
Runtime: 5:00 minutes
Scottsdale Community College, Arizona
A young boy gets caught up in human trafficking.

GETAWAY BEN
Director: Tyler Jones
Runtime: 14:26 minutes
University of Southern California
A night in the life of a bank robber immediately after he steals from the people who repossessed
his family farm.

LYNCH
Director: Robert Conway
Runtime: 10:38 minutes
Scottsdale Community College, Arizona
Jesse Lynch is an outlaw and a killer, but when he crosses the wrong man he finds himself at the
end of a rope.

REPERCUSSION
Director: Byron Gatt
Runtime: 11:00 minutes
Diablo College, California
A teenage boy gets even with his father after experiencing an abusive childhood.

SIR JOSH
Director: Chris Hite
Runtime: 9:30 minutes
Hollins University, Virginia
SIR JOSH is about a man and his car, a man and his dreams, and how those dreams can become
a prison when they are not fulfilled.

THERE’S SOMETHING OUT THERE
Director: Brian Pulido
Runtime: 14:30 minutes
Scottsdale Community College
Life is going along pretty well for Brad and Penny until Brad brings home a yard Gnome.