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Opening Night Feature - Bread & Tulips
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Bread and Tulips
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| Opening Night Gala Pre-Film Party Friday, September 28 - 6:00 PM to 8:00 PM Hors d'oeuvres and party provided by Kazimierz World Wine Bar. A full bar is hosted by Seagram and features Don Julio Tequila Margaritas - 2 complimentary drinks per opening night ticket holder. Location - 7137 East Stetson in Scottsdale, just north of the corner of 6th Ave. and Stetson. Auditorium 2 Opening Night Gala - 8:30 PM. Friday, September 28 Bread and Tulips - Award winning film of 9 David di Donatello's - Italy's "Oscar" Awards: Best Film, Best Actor (Ganz), Best Actress (Maglietta), Best Director, Best Screenplay, Best Supporting Actor (tied) (Battiston), Best Supporting Actress (Massironi), Best Sound, Best Cinematography, 2000 David di Donatello Awards (Italy's "Oscar"); Best Director (Soldini), Best Actress (Maglietta), Best Screenplay, Best Supporting Actor (Andreasi), Best Supporting Actress (Massironi), 2000 Italian National Syndicate of Film Journalists A thoroughly winning tale about a housewife who discovers there is more to life than a husband, a house and children—indeed, much more! During a coach tour, Rosalba, our forty-year-old housewife, is left behind when her bus makes a rest stop. Her husband and sons are unaware of her absence until it is too late. By the time they start to look for her, she has already decided to spread her wings and strike out on her own. Virtually penniless, she finds digs in a cheap, run-down hotel and soon befriends a local waiter. What follows is a mix of comic farce and romantic discovery. When Rosalba's husband tires of her "little holiday," he hires a timid plumber with a passion for detective novels to discover her whereabouts. Rosalba, meanwhile, blooms...! Bread And Tulips is a charming blend of tenderness and poignancy served up with affection for all its wonderful characters. As a confused housewife turns into an independent spirit, Soldini radiantly communicates the potential that lies within us all. (Summary written by Santa Barbara International Film Festival)
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Aberdeen |
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| Awards:
Audience Award, Hamptons International Film Festival; Young European
Jury Award (Moland), Best Actress (Headey), Brussels International Film
Festival Aberdeen is a modern, raw, pitch black comedy about an urban woman in her twenties (Lena Headey) and her two parents (Stellan Skarsgard, Charlotte Rampling). Their small nuclear family was blasted to bits years ago, and they have all had to pay a price. Now the daughter lives in London, the alcoholic father in Oslo and the mother in Aberdeen. One day the mother calls to ask her daughter to go to Norway to find her father and bring him back. The daughter grudgingly obliges. She sees it as a courier service – delivering a parcel. But her dad is more obstinate than most parcels and the trip turns out to be quite some ride, with tragicomic discoveries for all parties involved. (Summary written by the Glasgow Film Office) Web Site Link: http://www.FirstRunFeatures.com/th/Aberdeen/thmain.html
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| Awards:
Winner, Golden Lion for Best Film, 2000 Venice International Film
Festival In this shocking, politically courageous look at the "other Iran," there's a scene in which a woman goes to light up a cigarette only to be rebuked by a man she doesn't even know. Here, this "other Iran" is not simply the world of women, chadors licking at the edges of the frame, but women willfully, sometimes furiously, in plain sight. Director Jafar Panahi's narrative delicately drifts among several women, each story gracefully melting into another, while a sense of their everyday oppression comes increasingly into sharp focus. In Panahi's first film, The White Balloon, the subject was a little girl in search of a goldfish; here the theme is women in search of their own selves. Unsentimental and deeply felt, the film has a pulp vigor and bristling moral outrage that mark it as a very new kind of Iranian cinema from first frame to last. (Summary by the New York Film Festival.) Web Site Link: http://www.celluloid-dreams.com/circle
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| 5
Cure |
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| Award: Best
Actor (Yakusho), Tokyo International Film Festival Considered Kurosawa’s first masterpiece, Cure is part atmospheric crime film and part philosophical meditation. Detective Takabe - played by Koji Yakusho star of Shall We Dance? - is tracking a series of identical murders, committed under the same set of bizarre circumstances. Corpses are found with an “X” slashed through their chests; the killer remains near the site of the crime, unable to recall the events that lead to the killing. Nothing seems to connect the murders and Takabe becomes increasingly frustrated. Finally, investigators find and enigmatic drifter named Mamiya (Masato Hagiwara). As he passes through police and forensic custody, a rash of “X” murders follows. While Takabe and his psychologist friend Sakuma (Tsuyoshi Ujiki) immediately become aware that Mamiya has powerful hypnotic powers, it takes a twist-filled investigation before they determine what makes him tick. Is his mesmerizing technique an infection of the psyche or an honest cure for an already unhealthy mind? Web Site Link: http://www.cowboybi.com/cure/
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| 6
The Girl |
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| Set in Paris and
starring two of France's most exciting new actresses, The Girl is a
spare, gorgeously realized modern film noir. The story follows the
spiraling affair between the film's narrator - a beautiful painter
(Agathe de la Boulaye) - and a nightclub singer whom she calls The Girl
(Claire Keim). While their passion for each other is consuming, a
relationship from the past threatens to tear them apart. Web Site Link: www.thegirl-themovie.com
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Life is to Whistle |
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| Awards: Best
Film, Best Director, Best Photography, Best Actress (Claudia Rojas)
International Festival Of New Latin American Cinema. Best Film,
Fipresci Award - Cuban Critics Award. Special Judges Award for a Latin
American Film Sundance Festival, 1999. Critics Award Festival of
Rotterdam, 1999. (FORUM) - C.I.C.A.E. award Festival Of Berlin, 1999. Bebé, an 18-year-old girl, is happy and does not understand why everyone else is not. She tells us the stories of Mariana, Julia and Elpidio, three characters who are not happy in La Habana at the end of this century. Mariana is a young dancer who, in order to get the part of Giselle in a ballet, makes a promise to God that she will never go to bed with any man. Mariana manages to get the part, but in the process of staging the work will have to choose between love and her promise. Julia has two passions: to do good to others... and animals. But from one moment in her life, Julia starts to faint at work, in the street and in public places. A young psychologist reveals the cause of her fainting to her and from then on, Julia will have to choose between accepting this truth or fainting for the rest of her life. Elpidio Valdés, a young musician of mixed race who enjoys life, was abandoned by his mother, Cuba Valdés, and from that time has been living in a constant state of anxiety to know what Cuba was, is and will be. Elpidio will also have to choose between love and his need for Cuba. In the end, the three characters meet and Bebé (the narrator) reveals to us the secret of happiness in La Habana in the year 2020.
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| 8
Lumumba |
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| Lumumba is a gripping
political thriller that tells the story of the legendary African leader
Patrice Emery Lumumba. Called "the politico of the bush" by journalists
of his day, the brilliant and charismatic Lumumba, rose rapidly to the
office of Prime Minister when Belgium conceded the Congo's independence
in June, 1960. Lumumba's vision of a united Africa gained him powerful
enemies: the Belgian authorities, who wanted a much more paternal role
in their former colony's affairs; and the CIA who supported Lumumba's
former friend Joseph Mobutu in order to protect U.S. business interests
in the Congo. The architects behind Lumumba's brutal death in 1961, a
mere nine months after becoming the country's first Prime Minister,
recently became known and are dramatized for the first time in
"Lumumba." Web Site Link: http://www.zeitgeistfilm.com/current/lumumba/lumumba.html
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| 8
The Personals |
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| Awards:
Official Selection Cannes Un Certain Regard With dry humor, director Chen Kuo-fu chronicles modern romantic and sexual mores. A lonely ophthalmologist runs a personal ad for a husband, and now she has to sort through the applicants. The majority of the men (predictably) turn out to be unsuitable: actors in disguise, men with shoe fetishes, pimps. Actress Rene Liu anchors this funny, sad, beautifully observed look at the search for love and companionship. (Summary written by The Chicago International Film Festival)
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| 10 The Price of Milk |
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| In this udderly
offbeat comedy of pre-marital angst, boy friend and girl friend dairy
farmers Rob and Lucinda share their rural New Zealand spread with 117
cows and each other. First shown bathing together and washing the
dishes (at the same time), they seem to enjoy an idyllic existence.
But, like lactose intolerance, there's an undercurrent of doubt and
fear threatening to sour the relationship. Lucinda's insecurities, like
cream, rise to the top after a traffic mishap; as she struggles with
aftermath, her best friend Drosophila advises her to test the strength
of her partnership. Indeed, Rob tends to be a taciturn, workaholic, not
always available for Lucinda. But what Lucinda doesn't know is that
Drosophila has a secret agenda of her own regarding Rob, and she's
going to milk it (sorry) for all it's worth. Mysterious quilt thieves
bring everyone's emotions to a rolling boil, in a tall drink of tasty
and surreal domestic discord, beautifully photographed in the rolling
green hills of the Antipodes and set to an all-classical soundtrack. (Summary written by The Cleveland International Film Festival) Web Site Link: http://lot47.com/priceofmilk/indexsound.html
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| 11
Russian Doll |
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| Harvey (Hugo
Weaving), a self-doubting private investigator, plans to marry his
girlfriend until he is hired to solve an adultery case and discovers
the adulterer is cheating with his fiancée. Lost and dejected,
Harvey quits his job and wallows in booze and the occasional odd blind
date. Meanwhile, Katia (Natalia Novikova), a Jewish woman from St.
Petersburg, arrives in Sydney after answering an ad from an
international matchmaking agency. But instead of love, she finds her
prospective groom dead on arrival. Stranded in a foreign city with no
one to turn to, Katia meets Ethan (David Wenham), a married man and
Harvey’s best friend. Ethan is soon scheming to figure out a way to
keep Katia in the country without his wife Miriam (Rebecca Frith)
discovering the affair. Ethan comes up with the perfect solution: he
offers Harvey enough money to start writing the novel he has always
dreamed of, if he agrees to marry Katia. Harvey is appalled by the
idea, but needs the money to get started on the book. Amid all the
chaos of planning the wedding, every one is left to wonder, is this any
way to find true love? Web Site Link: http://www.lot47.com/russiandoll/
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Yesterday Children |
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| Awards:
Peoples Choice Award, Toronto International Film Festival (Runner up to
American Beauty) Set during the time of El Nino-related drought in the Philippines, the film is a parable of a town's sense of desperation and endurance as it explains and copes with the forces of nature. After months of a dry spell, the rice fields have become barren and the town is stricken with poverty. Many of the villagers lose faith in the Roman Catholic Church and turn to an animistic cult. Christian prayer and the Eucharist make way for rituals with sacrificial virgins. Amidst the flux are a bastard boy and a blind girl, whose insight provides for a subtle commentary of the society they live in. As the clash of faiths unfold, the viewer encounters the textures and layers of the town's varied characters--misogynistic cult leaders, a devoutly Catholic mother, her cynical daughter, the priest with a dubious past and the terrified virgin who becomes the town's last remaining offering. As the film reaches redemption through its moving climax, the children come of age. Innocence is lost, while dignity is regained. (Summary written by The San Francisco International Asian American Film Festival)
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